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mr arco

Number of posts : 488
Registration date : 2007-02-09

PostSubject: HAKIM BEY   Wed 10 Jun 2009 - 5:24

Don't Know Him? I Bet You Do.

Poetic Terrorism (by Hakim Bey 2001)

Weird dancing in all-night computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. Later they will come to realize that for a few moments they believed in something extraordinary, & will perhaps be driven as a result to seek out some more intense mode of existence.
Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc.

Go naked for a sign.

Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty.

Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement...

The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails.

PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now.

An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE.

Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you.

Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

No Copyright Hakim Bey
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mr arco

Number of posts : 488
Registration date : 2007-02-09

PostSubject: Re: HAKIM BEY   Thu 11 Jun 2009 - 1:56

Art Sabotage (by Hakim Bey)

ART SABOTAGE STRIVES TO be perfectly exemplary but at the same time retain an element of opacity--not propaganda but aesthetic shock--apallingly direct yet also subtly angled-- action-as-metaphor.

Art Sabotage is the dark side of Poetic Terrorism--creation- through-destruction--but it cannot serve any Party, nor any nihilism, nor even art itself. Just as the banishment of illusion enhances awareness, so the demolition of aesthetic blight sweetens the air of the world of discourse, of the Other. Art Sabotage serves only consciousness, attentiveness, awakeness.

A-S goes beyond paranoia, beyond deconstruction--the ultimate criticism--physical attack on offensive art-- aesthetic jihad. The slightest taint of petty ego-icity or even of personal taste spoils its purity & vitiates its force. A-S can never seek power--only release it.

Individual artworks (even the worst) are largely irrelevant- -A-S seeks to damage institutions which use art to diminish consciousness & profit by delusion. This or that poet or painter cannot be condemned for lack of vision--but malign Ideas can be assaulted through the artifacts they generate. MUZAK is designed to hypnotize & control--its machinery can be smashed.

Public book burnings--why should rednecks & Customs officials monopolize this weapon? Novels about children possessed by demons; the New York Times bestseller list; feminist tracts against pornography; schoolbooks (especially Social Studies, Civics, Health); piles of New York Post , Village Voice & other supermarket papers; choice gleanings of Xtian publishers; a few Harlequin Romances--a festive atmosphere, wine-bottles & joints passed around on a clear autumn afternoon.

To throw money away at the Stock Exchange was pretty decent Poetic Terrorism--but to destroy the money would have been good Art Sabotage. To seize TV transmission & broadcast a few pirated minutes of incendiary Chaote art would constitute a feat of PT--but simply to blow up the transmission tower would be perfectly adequate Art Sabotage. If certain galleries & museums deserve an occasional brick through their windows--not destruction, but a jolt to complacency--then what about BANKS? Galleries turn beauty into a commodity but banks transmute Imagination into feces and debt. Wouldn't the world gain a degree of beauty with each bank that could be made to tremble...or fall? But how? Art Sabotage should probably stay away from politics (it's so boring)--but not from banks.

Don't picket--vandalize. Don't protest--deface. When ugliness, poor design & stupid waste are forced upon you, turn Luddite, throw your shoe in the works, retaliate. Smash the symbols of the Empire in the name of nothing but the heart's longing for grace.

free copyrights
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PostSubject: Re: HAKIM BEY   Thu 11 Jun 2009 - 3:20

mr arco wrote:
Don't Know Him? I Bet You Do

I read TAZ when I was 16 but that's it...
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PostSubject: Re: HAKIM BEY   Thu 11 Jun 2009 - 4:22

Big influence for the abode of chaos.
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PostSubject: Re: HAKIM BEY   Thu 11 Jun 2009 - 8:21

There's a lot of similarities between "art sabotage" and "cultural terrorism", if you read between and beyond the lines. Which is rather disturbing, considering Hakim Bey is generally thought of as being part of left-wing culture, and "the cultural terrorism manifesto" is a rather ambiguous set of ideas, to say the least...

Cultural Terrorist Manifesto

A terrorist who hijacks an airplane or plants a bomb in a crowded shopping centre apparently doesn't care who gets hurt as long as he (sic) achieves his aim. That innocent people are turned into bloody corpses or maimed for life is not his concern. The cultural terrorist is no different. The cultural terrorist, an assassin of the future, an executioner of morality. Cultural terrorism, an attitude, a state of mind - not a set of values to be dogmatically followed. Cultural terrorism is a celebration of the power of the individual.

Our aim is to pollute the minds of the public, to sow the seeds of insanity into society. Our victims are of all ages - everybody from the cradle to the grave. Man cannot bear too much reality and as a result of this the cultural terrorist is in the business of providing a reality attack. An over exposure of reality - the dirt behind the day dream. No subject is taboo, all must be exposed. No one is sacred. Everybody as well as everything should feel the wrath of the cultural terrorist. The object of cultural terrorism is to exploit situations and people in order to cause a reaction, preferably negative. Our aim is to make money in order to finance our war which we wage upon society, The money is required so that we can purchase the technology which will tear into the heart of all that is considered normal. We are the cancerous cell that would painfully destroy all that is in contact with it. We are working to erase the conforming instinct. To prevent humanity from ever acting with a common will.

The cultural terrorist's weapons are anything that enables him to inflict his views upon others or make him money. Be it film, video, audio cassettes, music, photocopiers, printed words, pictures - any media whatsoever is acceptable as long as it achieves the objective. We are little concerned how violent, how perverted, how degenerate, how much our material appeals to the very lowest of emotions, or how much the material twists and pollutes fresh young minds and further warps those already in trouble. If it makes money it will eventually achieve our aim and we will use it. We believe nothing is impossible, there is no god, there is no morality so we manipulate our environment to its fullest extent. Plagiarism is not only acceptable it is welcomed with open arms. We believe that you should not be afraid to steal from anyone. Our way is that of the liar and deceptor. We also know that the bigger the lie the better the chance of people believing it. Under cover communication is enemy crime not politics.

Elaborate safeguards may be placed at airports to separate would-be terrorists from their weapons. But we the cultural terrorists are free to distribute our soul destroying weapons to whom and where we choose. The cultural terrorist is both benevolent and evil. Pull the wool over your own eyes in a call to arms. We feel very strongly that an active role of participation should be taken in this struggle by people already interested in this form of warfare. The cultural terrorist is involved in an act of revolutionary suicide protesting the conditions of an inhuman world. Cultural terrorism is alien to this society and our technology will tear into it to open up wounds that may never again heal. Tomorrow belongs to us.Confusion as a weapon / Confusion the key word.

Healthy confusion, some call it "evil". Confusion that sparks the need to question. Confusion calling fear, the adrenalin to flow, the blood rush and the life force to sit up and take notice. Confusion making us question everything in search of some (un)sense. Everything to be probed into. Indulging into whatever subjects we feel like. Making our lives that much more interesting for ourselves. No subject should be taboo. Spewing it out in our writings, in our "artwork", in our aural pieces. Digesting and regurgitating, sometimes in almost original form and other times in unrecognisable confusion. Leading to questions from others, not sure of where we stand, their need to know, pretending not to care, yet seeking the safety of answers that fit their way, the safe way of thinking. We stand everywhere and nowhere. We wade in cool rivers / we tread in dogshit. Creating only for ourselves. Taking anything from our surroundings we desire or find necessary ... Alternative media ... Mindfuck to oblivion ... A disjointed, chaotic view of this fucked up, ever decaying globe. Gladly we take our part in the information / disinformation war in a fearless way. Ours is a wide open mouth sucking deadlife media cock. Ours is a wide open arsehole shitting out deadlife media junk food. This here is the stink and defiance of a blanket protest. A big fuckoff to "peer group pressure". No attempt is made to conform, to speak your / their words. Always the fight against those who would control our minds and our bodies. In this our weapons are our very lives.
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PostSubject: Re: HAKIM BEY   Thu 11 Jun 2009 - 8:33

by the way, here's an interesting glossary :
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